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csearcha E107 isearchm, North American New Right, originals, popular music, Rammstein, Richard Kruspe, Stripped, the Third Reich, Till Lindemann, Triumph of the Will, videos. Bookmark the permalink. Both comments and trackbacks are currently closed.I recently watched the movie “The Edge” with Alec Baldwin and Anthony Hopkins. It is a movie about survival and betrayal. The character played by A. Hopkins mentions at one point in the movie that most people who die in the wilderness die of shame – shame that they allowed themselves to get lost in the first place. It doesn’t matter whether this is true – it has a kernel of truth in it – and I think this is exactly the Jewish strategy: to kill us with shame while we are lost in the wilderness into which they have led us.
Videos like Stripped (and more specifically, Leni Riefenstahl’s Olympia) show that we have nothing to be ashamed of.
Another great analysis, looking forward to more.
Good point re “Till Lindemann wears stage makeup reminiscent of old German Expressionist films.” I took it as a shout out to Metropolis.
My youngest boy had the observation that the ants are like the ants being watched by the aliens/Martians from H. G. Wells’ “War of the Worlds”. He’s on a prolonged kick with that book/soundtrack so could be a little biased, though I think it fits the theme. And supported by his observation at the end where the ants are eating the beetle’s large green eye in closeup. For him the ants are like the humans trampled by the invading tripods which are the beetles. Unlike War of the Worlds, the ants rise and defeat the aliens by communal action, rather than a virus. The ants are the crows eating the aliens eyes out.
Good points too re Rammstein’s socialist/communal core – their fraternity. Two other videos in support are “Du Hast”, a David Lynch style rendition – with again flames purifying (good observation by that commenter). The protagonist is going with his lover to kill his brothers and break from brotherhood. But he changes heart inside the hut (while his lover waits outside) overcome by his brothers’ love. He departs joined with the gang again and his lover is blown up in the background.
The other vid is “Keine Lust” where they all rock up individually, decadent, wealthy and grossly fat, Lindemann looking like Goering in his later years. They join in backslapping brotherhood, rock out amidst decadent scenes, now gone past and through the decadent phase to not being able to be aroused anymore by decadence – the lesbians putting on a show for the unimpressed and flaccid Lindemann in his limo.
Again, flames abound with Barbarian style female flame throwers. At the end they all depart individually and alone, the brotherhood broken. Such is the annihilating nature of individualism that causes one to gorge on decadence: lust, gluttony which leaves one rich and too bloated with material to enjoy anything anymore, and community broken, despairing – lost.
Thanks, I made the correction.
Based on conversations with Jews married into several branches of my family, Johnson is on target: their power is vast but also shallow and brittle; an apparent ocean that turns out to be…six inches deep. Zion knows this, and so reacts violently against any real – or imaginary – challenge. Now, as their globalist debt ponzi regime approaches collapse, they quake in fear….still capable of killing millions of us, and will probably do so, but in the end themselves doomed.
THEIR GOAL IS GENOCIDE. OURS. WHAT’S YOURS?
Greg Johnson in blockquote:
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