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But the problem with modern Germans is that this identity is part and parcel with national self-hatred and guilt over the Second World War. Rammstein wishes to restore a “healthy German self-esteem.” They are trying to establish “a natural relationship with their identity.” To do that, they have to teach modern Germans to look at the Third Reich through new eyes. Not to promote Nazism, but to clear the impediment of Nazism to a healthy patriotism.

Thus I do think that Triumph of the Will is intentionally being alluded to. But the message of the video is not a return to Nazi totalitarianism. Instead, the message is that even a modern, individualist, consumerist, leftist society can come under attack. And when it comes under attack, collectivism and its trappings become necessities of survival. All democracies become fascist when they go to war. Thus, even if your heart is on the left, one must make peace with things conventionally associated with the right. (Of course the members of Rammstein, who grew up in East Germany, saw this sort of stuff all the time from their Communist regime.) Rammstein’s keyboardist Christian Lorenz said that “Links 2-3-4” shows how militant and aggressive the left can be.

Mass collectivism is always-already latent in consumer society, particularly in the activities the ants are shown engaged in: sports, raves, and rock concerts. In an interview reported by Berlinski, Richard Kruspe, Rammstein’s lead guitarist, claims that international soccer is the one arena of life where Germans feel comfortable taking their own side. Raves are mass gatherings where music and drugs produce an ecstatic sense of collective consciousness, orchestrated by a DJ/leader. The same thing takes place at rock concerts. As Mick Jagger once said, “Hitler was the first rock star.”

Rammstein is again trying to teach Germans to see their past with new eyes, and to link it organically to their present, so that mass patriotic gatherings no longer automatically connote fascism and the Holocaust.

In another article, I will discuss three more Rammstein videos: “Amerika,” “Ohne Dich,” and “Mein Land.”

To most people, it seems absurd for organizations like the ADL to police rock videos. But we should not be so dismissive. Perhaps they know something we do not. My hypothesis is that Jewish power is stretched very thin. Jews are working at full capacity to contain positive white self-consciousness, and white pride is virtually nil. This means that even a modest jump in white ethnocentrism — even an essentially liberal-democratic form of patriotism, which is what Rammstein seems to represent — might exceed the ability of Jews to control it. Thus they feel they must smother every little spark, lest it ignite a firestorm that might consume them utterly.

Note: Both the “Stripped” and “Links 2-3-4″ videos are available on the Rammstein video compilation Lichtspielhaus.

 

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13 Comments

  1. RedSpaniel
    Posted December 6, 2011 at 10:38 am | Permalink

    I recently watched the movie “The Edge” with Alec Baldwin and Anthony Hopkins. It is a movie about survival and betrayal. The character played by A. Hopkins mentions at one point in the movie that most people who die in the wilderness die of shame – shame that they allowed themselves to get lost in the first place. It doesn’t matter whether this is true – it has a kernel of truth in it – and I think this is exactly the Jewish strategy: to kill us with shame while we are lost in the wilderness into which they have led us.
    Videos like Stripped (and more specifically, Leni Riefenstahl’s Olympia) show that we have nothing to be ashamed of.

  2. Another great analysis, looking forward to more.

    Good point re “Till Lindemann wears stage makeup reminiscent of old German Expressionist films.” I took it as a shout out to Metropolis.

    My youngest boy had the observation that the ants are like the ants being watched by the aliens/Martians from H. G. Wells’ “War of the Worlds”. He’s on a prolonged kick with that book/soundtrack so could be a little biased, though I think it fits the theme. And supported by his observation at the end where the ants are eating the beetle’s large green eye in closeup. For him the ants are like the humans trampled by the invading tripods which are the beetles. Unlike War of the Worlds, the ants rise and defeat the aliens by communal action, rather than a virus. The ants are the crows eating the aliens eyes out.

    Good points too re Rammstein’s socialist/communal core – their fraternity. Two other videos in support are “Du Hast”, a David Lynch style rendition – with again flames purifying (good observation by that commenter). The protagonist is going with his lover to kill his brothers and break from brotherhood. But he changes heart inside the hut (while his lover waits outside) overcome by his brothers’ love. He departs joined with the gang again and his lover is blown up in the background.

    The other vid is “Keine Lust” where they all rock up individually, decadent, wealthy and grossly fat, Lindemann looking like Goering in his later years. They join in backslapping brotherhood, rock out amidst decadent scenes, now gone past and through the decadent phase to not being able to be aroused anymore by decadence – the lesbians putting on a show for the unimpressed and flaccid Lindemann in his limo.

    Again, flames abound with Barbarian style female flame throwers. At the end they all depart individually and alone, the brotherhood broken. Such is the annihilating nature of individualism that causes one to gorge on decadence: lust, gluttony which leaves one rich and too bloated with material to enjoy anything anymore, and community broken, despairing – lost.